Little Women; Or, Meg, Jo, Beth, and Amy

Louisa May Alcott

Illustrations [The Illustrations, designed by Frank T. Merrill, drawn, engraved, and printed under the supervision of George T. Andrew.] They all drew to the fire, mother in the big chair, with Beth at her feet Preface Contents Tail-piece to Contents List of Illustrations Tail-piece to Illustrations Christmas won’t be Christmas without any presents Beth put a pair of slippers down to warm I used to be so frightened when it was my turn to sit in the big chair Do it this way, clasp your hands so It was a cheerful, hopeful letter How you used to play Pilgrim’s Progress No one but Beth could get much music out of the old piano At nine they stopped work and sung as usual Merry Christmas The procession set out Out came Meg with gray horse-hair hanging about her face A little figure in cloudy white The lovers kneeling to receive Don Pedro’s blessing We talked over the fence Tail-piece Eating apples and crying over the “Heir of Redclyffe” Jo undertook to pinch the papered locks Mrs. Gardiner greeted them Face to face with the Laurence boy They sat down on the stairs Tell about the party The kitten stuck like a burr just out of reach Curling herself up in the big chair Reading that everlasting Belsham He took her by the ear! by the ear! Mr. Laurence hooked up a big fish Tail-piece Being neighborly Laurie opened the window Poll tweaked off his wig Putting his finger und ...
Total Pages:
304
PublisherAmazon
Book Details & Editions
About the author
Louisa May Alcott
Louisa May Alcott
"Little Women; Or, Meg, Jo, Beth, and Amy" by Louisa May Alcott is a classic novel written in the mid-19th century. The story revolves around the lives and experiences of four sisters—Meg, Jo, Beth, and Amy March—as they navigate the challenges of growing up in a modest household during the American Civil War. The novel explores themes of family, sacrifice, and the pursuit of personal dreams, showcasing the distinct personalities and aspirations of each sister. The opening of the book introduces readers to the March sisters, who are grappling with their financial struggles and longing for a more comfortable life. As they gather around the fire to express their frustrations about being poor, their mother reinforces the idea that they should embrace gratitude and make sacrifices for those suffering during the war, particularly their father, who is away serving as a chaplain. This chapter sets the tone for the sisters' individual journeys, highlighting their different approaches to hardship—Meg longs for material wealth, Jo is a spirited tomboy who craves independence, Beth is the gentle peacemaker, and Amy is the aspiring artist concerned with appearances. Through their interactions and hopes, Alcott paints a vivid picture of their lives, filled with warmth, humor, and the bonds of sisterhood. (This is an automatically generated summary.)

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